Fireboy DML really opened up in a raw and relatable way with that one. It’s that classic generational clash—artistic expression vs. traditional values. And for a lot of African homes, especially with parents who hold onto certain cultural or religious views, tattoos are often still seen as taboo or rebellious, no matter how successful or grown the child becomes.
What’s especially interesting is how Fireboy separates the idea of tattoos from his career. He’s saying, “Even if I were a banker, I’d still want this.” That really highlights how personal it is for him—less about image, more about identity and self-expression. The way he described wanting to be shirtless and still “look dressed up” is honestly kind of poetic. Tattoos as wearable art and presence—it makes sense.
The part about hiding under a jalabiya when his dad visits? That’s peak Nigerian child behavior. So many people can relate to that dance of respecting the elders while still trying to live authentically.
Do you think this kind of generational tension is easing with time, or is it still going to be a struggle for a while, especially in more conservative families?