The Uprising: Wives on Strike, directed by Omoni Oboli, is a captivating addition to the Wives on Strike franchise that effortlessly combines humor with a strong message of activism. As movie franchises gain momentum in Nollywood, with notable series like Wedding Party and Chief Daddy attracting varied audience interest, this latest installment piques curiosity and delivers on its promise.

The film opens with a gripping scene featuring Ebiere, played by veteran actress Hilda Dokubo, who captures the audience’s attention with her haunting thoughts while working at her meat stall in the women’s market. This initial hook sets the tone for a narrative that explores themes of empowerment and justice. Dokubo’s performance is a highlight, showcasing a compelling character arc as she transitions from a grieving mother to a figure driven by a thirst for justice.

Omoni Oboli, who also stars as Mama Ngozi, portrays a local chairman navigating the complexities of fairness and ethical dilemmas. Her character’s journey intersects with the lives of other key players, including Emeka, played by Tomiwa Wategbe, whose story brings an intriguing layer of suspense that keeps viewers engaged.

While the performances are generally entertaining, the character of Iya Bola may come off as excessive for some. Though her antics are amusing, the film’s serious themes sometimes clash with her over-the-top portrayal, distracting from the core message.

The cinematography of The Uprising is commendable, effectively utilizing color and straightforward camera angles to enhance the storytelling without overwhelming the audience with unnecessary dramatic techniques. This visual approach complements the film’s genre, providing a clean and accessible viewing experience.

Despite some debates regarding the necessity of a sequel or franchise, The Uprising: Wives on Strike stands as a testament to the idea that women can be powerful agents of change in society. The film invites viewers to draw their conclusions, encouraging them to visit cinemas and experience the narrative firsthand.

With the introduction of a voucher system for ticket purchases, audiences can easily avoid long queues, making it even more appealing for groups looking to enjoy a night out.

In conclusion, The Uprising: Wives on Strike is an easily digestible film that combines humor with a potent message, celebrating women’s resilience and their role in advocating for societal change. Don’t miss the opportunity to see this thought-provoking installment in theaters!

Afro-soul singer and songwriter Ayola held a vibrant live show for his sophomore album, “The Life I Want,” on Friday, attended by fans and colleagues from the music industry. The event, organized in collaboration with ConnectAfrobeats, took place at the Kairus Hub in Lekki Phase 1, Lagos, putting fans at the forefront of the celebration.

The new album dropped in the early hours of Friday, October 11, 2024, coinciding with the live show. Guests arrived early, eager to secure the best seats, and were issued tags and wristbands for entry. The venue was alive with neon lights, booming music, and complimentary cocktails, immersing guests in rhythmic beats predominantly from Afrobeats and 2010s hip-hop.

Ayola captivated the audience with just three tracks, including standout songs such as ‘Pass Me By,’ ‘Life I Want,’ ‘I Hope To Be Free,’ and ‘Actor n Boss.’ Each performance received enthusiastic cheers, with the crowd growing more engaged with every song.

Discussing the creative process behind the album opener, ‘Bird Sings of Money,’ a hip-hop-inspired mid-tempo track, Ayola shared his inspiration for the album’s title: “It might feel like the life I want is happy all the time, and it might also feel like ‘I don’t know.’ My relationship at the time broke, and I was the best man for my friend on his wedding day, feeling like my life is wasting away while he has his put together.”

Reflecting on the nearly three-year gap since his last project, Ayola explained, “I took a little time off because I felt I needed to discover my artistry. The reason I made this is beyond just my ability to do it. I felt like it should have a purpose, and convincing myself it did was the journey that took three years. Despite this, I was creating all along; I just wasn’t putting it out. I also went through life during those times, and I documented the feelings, which turned into what became The Life I Want album.”

In addition to the new tracks, Ayola also performed songs from his previous projects, including ‘Sare Toban’ from his debut album Conversation till Dawn and ‘Scum’ from his first project, Scum EP.

The event was graced by celebrities, including ace comedian and rapper Basketmouth, and award-winning producer Duktor Sett, among others, making it a memorable night for everyone involved.

The recent event held at the Marriott Hotel in Ikeja GRA, Lagos, honoured Minister GUC’s five-year journey with EeZee Conceptz while also marking his birthday and unveiling his much-anticipated album, The Trio and I.

Hosted by Femi Daniel and Esther Umelo, the celebration brought together prominent figures in the gospel music industry to acknowledge Minister GUC’s past achievements and exciting future.

The send-forth ceremony was the centerpiece of the event, during which Minister GUC was presented with a certificate of completion by Dr. EeZee Tee, the founder of EeZee Conceptz Global. This certificate recognized Minister GUC’s steadfast commitment to the gospel music mission and his immense contribution to the label’s success over the last five years.

Speaking at the event, Dr. EeZee Tee shared heartfelt words about Minister GUC’s dedication and impact, stating, “As music executives, success is defined not just by our artistes’ achievements but by sustaining strong relationships during and even after the end of contracts. Through it all, Minister GUC – your focus on your calling never wavered. You have demonstrated loyalty, consistency, and steadfastness, and the fruits of your labour have been abundant. Your music has touched countless lives, spreading a message of faith and hope.”

He continued, “As this chapter closes, I also look forward with great anticipation to what lies ahead. Your vision for the future of gospel music and ministry is inspiring. We eagerly await the new projects you’ve hinted at; the international collaborations, the mentorship programs for young artists, and your plans to use music as a tool for social change and community development.”

Of all the hitmakers dominating the music scene in 2024, one name that shines brightly is Kashcoming. With a string of chart-topping singles, including “All My Money,” “How Low,” and the “Oblee Remix” featuring DJ YK and others, Kashcoming has solidified his place in the mainstream with a stellar run throughout the year.

Following the success of his world tour, Kashcoming is set to bring the “On A Low” train to Ibadan and Lagos. The highly anticipated live shows will take place as follows:

Ibadan:
🗓️ November 30, 2024
📍 Glow Dome

Lagos:
📍 TBD

Fans can expect an unforgettable evening filled with electrifying performances, as Kashcoming will also be joined by several special guest artists for surprise appearances.

The Actors Guild of Nigeria (AGN) has suspended Nollywood actress Halima Abubakar following a two-year investigation that uncovered her involvement in spreading defamatory information and statements about her colleagues in the industry.

The popular actress has allegedly been behind the spread of false and misleading information regarding her colleagues and other prominent individuals. In an official statement released on the Guild’s Instagram page on Friday, October 18, 2024, the AGN announced that the decision to suspend Abubakar came after a thorough secret investigation by a special panel.

“Following the thorough investigative report by the special Secret Investigation Panel set up to conduct an internal underground secret investigation, the Panel found out that Miss Halima Abubakar was behind all the slandering information,” the statement read.

As a result of this investigation, Abubakar has been indefinitely suspended, which prohibits her from participating in any AGN activities or filming during this period. Additionally, the Guild has stated that she will face the National Disciplinary Committee to determine her full punishment.

The AGN has also warned Halima Abubakar not to violate the suspension rules, stating that any breach could lead to further disciplinary actions. “She will face the National Disciplinary Committee to determine her full punishment,” the statement added.

Featuring a stellar lineup of global talent from reggae royalty, Afrobeat icons, and rising stars in Afrohouse and Amapiano, the highly anticipated One Drum EP has dropped, bringing together artists such as Stephen Marley, Buju Banton, Flavour, The Scorpion Kings, and more, under the production of Oskido and Gordon “The Commissioner” Williams.

The EP is set to take the world by storm with its diverse and groundbreaking tracks, following the successful release of hit singles “AfroWave” by South Africa’s Scorpion Kings and “Let’s Dance” by Nigerian sensation Flavour.

Leading the pack as a breakout hit is “Stop Stressin’,” a powerful collaboration between reggae legends Stephen Marley and Buju Banton. This track, a masterful blend of Afrobeat and reggae, is produced by the multi-Grammy award-winning Gordon “The Commissioner” Williams. With stirring lyrics, a thumping bassline, and pulsating beats, “Stop Stressin'” delivers a message of resilience and positivity, solidifying its place as a standout on the One Drum EP.

Adding to the EP’s dynamic flair is Sofiya Nzau’s “Besa,” which promises to be a massive hit on dancefloors worldwide. The song is available in two captivating versions: an Afrohouse version rich with deep African rhythms and an energetic Amapiano version, transforming it into a must-hear club anthem. Sung in Kikuyu, Sofiya’s charismatic charm and powerful delivery shine through, showcasing her unique versatility and global appeal. “The energy behind ‘Besa’ is about freedom, joy, and the beat of Africa’s heart,” Sofiya said. “I wanted the song to capture the essence of who we are while making people dance.”

Other highlights on the One Drum EP include the deeply spiritual track “Coming Home,” featuring the late Joseph (Mercar) Marley, alongside his brothers Zion Marley and Thee Legacy, a South African isicathamiya ensemble. This soulful ballad calls on the African diaspora to reconnect with their roots.

The One Drum EP is more than just music; it is a celebration of cultural unity and heritage, as artists from across the world come together to honor their shared history and rhythm. With stunning collaborations from Africa, the Caribbean, and beyond, this EP promises to be a groundbreaking musical moment.

This concert promises an intimate experience as Ayra Starr performs new tracks from her highly anticipated sophomore album, The Year I Turned 21, alongside fan favorites. Produced in partnership with Raha Fest, the event will be available for fans worldwide to enjoy on her official YouTube channel.

The concert will be livestreamed on YouTube, allowing audiences across the globe to be part of this special moment. Ayra’s devoted fan base, affectionately known as Mobstarrs, will also have the chance to engage directly with her through the ‘Woman Commando’ YouTube Shorts challenge, where they can create and share their interpretations of her hit single.

Exclusive behind-the-scenes content will be captured during the event, adding another layer of excitement for fans, which will also be shared on her YouTube channel.

Nairobi, with its vibrant music scene and deep roots in African culture, serves as the perfect backdrop for this electrifying performance. The city’s youth population, who are enthusiastic supporters of Ayra Starr, makes it an ideal location for her first YouTube Live concert.

Speaking about the upcoming event, Ayra Starr expressed her excitement, saying, “Performing live is where I get to connect deeply with my fans, and I’m so excited to do this on a global scale from Nairobi. This album means so much to me, and I’m looking forward to sharing it with everyone through YouTube.”

Fans can tune in to watch the concert live on October 20, 2024, at 9 PM EAT on Ayra Starr’s official YouTube channel: YouTube.com/AyraStarr.

Jarvis, a prominent Nigerian content creator renowned for her impressive AI and NPC impressions, has opened up about her recent hiatus from content creation. In a heartfelt TikTok livestream, she addressed the speculations surrounding her absence, particularly those linking it to her relationship with fellow creator Peller.

During the livestream, Jarvis revealed the distressing news she received from her doctor, stating, “I was told that I had a tumor in my jaw. I thought it was teeth problems, but it wasn’t; the doctor said I had a tumor in my jawline.” She showed viewers the noticeable bump on her jawline, which had caused one side of her face to appear larger than the other.

As she awaited biopsy results, Jarvis expressed her hope for a positive outcome, saying, “The last time I went, they opened me up and took something from the tumor to test it before we go for the main surgery. I’ve not done the main surgery but I’ve heard the results are out, and I’m praying it’s not bad because it’s spoiling my face.”

Addressing her fans’ requests for her to return to AI content, she explained the challenges posed by her health issues, remarking, “And to those telling me to go back to AI, shey you people don’t see that in my past AI videos, my face was fresh. This new AI would have puff puff o, so I don’t know how you people want me to do it. So for all of you who are shouting, why are you shouting? Calm down.”

Her candid update garnered an outpouring of support from her followers, who expressed their goodwill and prayers for her swift recovery. Jarvis’s situation highlights the personal struggles many content creators face behind the scenes, reminding fans that health must come first.

Making a debut album is a decisive moment for any artist, but for female artists, the stakes are even higher due to public perception and extensive branding efforts. The challenge of creating a successful debut album can determine the trajectory of an artist’s career, especially when navigating an industry often perceived as favoring male counterparts.

While opinions vary among culture observers and music veterans about the difficulties of launching a debut album, one thing remains clear: a weak debut can hinder an artist’s career significantly. For even established hitmakers with a history of chart-topping singles, the debut album can either propel them to new heights or obstruct their progress.

Prominent figures in the industry, including Tiwa Savage, Yemi Alade, and Simi, have frequently highlighted the extra effort required for women to achieve the same level of recognition as men. Their experiences shed light on the complexities female artists face in a competitive landscape.

Historically, discussions about debut albums often center around male hip-hop stars and R&B icons. However, it’s crucial to celebrate and document the impactful debut masterpieces of female Afrobeats artists. These albums not only showcase exceptional talent but also leave a lasting legacy, influencing the genre and inspiring future artists.

CRITERIA FOR CELEBRATING DEBUT ALBUMS

To honor these female artists, the following criteria can be used to evaluate their debut albums:

1. Album Quality: The overall production, songwriting, and musicality of the album.
2. Impact: The album’s influence on the artist’s career and its effect on the music industry or society at large.
3. Legacy: The lasting impression the album leaves on fans, critics, and subsequent generations of musicians.
4. Commercial Success: While not the sole indicator of quality, commercial success serves as an added advantage, reflecting the album’s reception by the public.

The journey to a successful debut album is undeniably challenging for female Afrobeats artists, but those who rise to the occasion contribute significantly to the genre’s richness and diversity. Their albums serve as important milestones not only for their careers but also for the representation of women in the music industry. Celebrating these works acknowledges their artistry and the broader cultural narratives they help shape.

Nigerian comedian and actor Bovi has emphasized that women have made significant strides and, in many cases, now control the industry they are fighting to equalize.

During a recent appearance on TVC’s Your View, the panel discussed the entertainment industry in Nigeria, focusing on women’s roles within it. When the topic of women’s opportunities and their fight for equality arose, Bovi asserted that women already dominate the sector.

He explained, “Women need to understand that in areas where they are fighting for equality, sometimes they may have conquered, but because they are used to fighting, they don’t know that they’ve won. You talk about the entertainment industry and how it can help women. But I observed 10 or 15 years ago that women actually control the entertainment industry. So what are we talking about?”

Bovi pointed out the substantial influence women have had in shaping the entertainment landscape over the past decade. He highlighted notable figures such as Funke Akindele, who has amassed great box office numbers every year for the past five years, and Mo Abudu, another leading producer. He noted, “The biggest box office hit is a woman, Funke Akindele. The second biggest box office hit is also a woman, Mo Abudu. They are the biggest producers. Bolanle Austin-Peters is one of the biggest producers. Jade Osibero is one of the biggest directors since Kemi Adetiba. The biggest film festival is by Chioma Ode. So what are you saying?”

Listing more influential women in the industry, including Omoni Oboli, Uche Jombo, and Genevieve Nnaji, Bovi reinforced the idea that women are at the forefront of the entertainment industry. He stated, “So when I see young girls complaining about male producers demanding sex for roles, I’m like, ‘Yes, it’s true. But who have you cried to? Who have you spoken to? You own the industry.’”

Bovi’s comments aim to empower women in the entertainment sector, reminding them of their substantial contributions and influence.

Following the tragic and sudden death of British singer and former One Direction member Liam Payne, his bandmates have begun to express their heartfelt tributes to their friend.

On October 18, 2024, Niall Horan took to Instagram to share his feelings regarding Liam’s passing, stating, “I’m absolutely devastated about the passing of my amazing friend, Liam. It just doesn’t feel real. Liam had an energy for life and a passion for work that was infectious. He was the brightest in every room and always made everyone feel happy and secure. All the laughs we had over the years, sometimes about the simplest of things, keep coming to mind through the sadness.”

Singer Zayn Malik also honored Liam with a touching post, saying, “Liam, I have found myself talking out loud to you, hoping you can hear me. I can’t help but think selfishly that there were so many more conversations for us to have in our lives. I never got to thank you for supporting me through some of the most difficult times in my life.”

He continued, “When I was missing home as a 17-year-old kid, you would always be there with a positive outlook and reassuring smile, letting me know you were my friend and that I was loved. Even though you were younger than me, you were always more sensible than me. You were headstrong, opinionated, and gave no fucks about telling people when they were wrong. Even though we butted heads because of this a few times,” he concluded.

As the tributes continue to flow in from fans and fellow artists alike, Liam’s legacy and the impact he made on those around him remain deeply felt.

Following the announcement of a TV series adaptation of Chinua Achebe’s Things Fall Apart, netizens have expressed concerns regarding Idris Elba playing the lead role of Okonkwo, emphasizing that a Nigerian actor should have been considered for the part.

In recent discussions, many highlighted the recurring issue of Western media using unoriginal African accents in their productions instead of casting African actors. Notable examples include Will Smith as Dr. Omalu in Concussion, Lashana Lynch in Woman King, and Michael B. Jordan in Black Panther.

Weeks ago, Elba revealed his involvement in the adaptation of Achebe’s acclaimed novel, in which he will portray Okonkwo. This announcement sparked a wave of criticism across social media, with many Nigerians voicing their apprehensions about the authenticity of the film. Critics argue that a foreign actor might not adequately capture the character’s cultural heritage and language.

Nollywood screenwriter Xavier Ighorodje took to Twitter to express his views, suggesting that Nigerian actors like Stan Nze or Uzor Arukwe would have been more suitable for the iconic role. He stated, “I know there’s a need to sell the product to a wider audience, but Idris Elba should not be Okonkwo in Things Fall Apart. Not when at the very least Chiwetel Ejiofor could easily play the role better as an Igbo man.” Although Ejiofor is also a British actor, he has Nigerian roots and is considered a more fitting choice due to his authentic African accent.

While the project is highly anticipated, many feel that the casting of a non-Nigerian actor for such a significant role diminishes the story’s authenticity and cultural representation. With Achebe’s work profoundly influencing the colonial narrative in Nigeria, critics argue that employing an indigenous actor would honor the source material and ensure a more genuine portrayal.

Elba’s ability to embody Okonkwo’s depth remains in question, especially compared to Pete Edochie’s iconic performance in the 1987 adaptation of the same story. Advocates for cultural authenticity stress that Nigerian actors have an innate understanding of the cultural context, which can lead to performances that resonate more deeply with audiences.

In a recent Instagram post, the daughter of incarcerated R&B singer R. Kelly, Joann Kelly, has spoken for the first time since making her ground-breaking revelation that he allegedly sexually abused her as a child.In her heartfelt post, Joann addresses her younger self, saying, “Hey Baby girl… It’s me, you. We’re 26 now. I know you didn’t even think you’d make it past 15 but you did. I know you’re probably wondering how we made it here and what we’re doing now.”

Rising Afro R&B star Keleya is poised to enchant listeners with her highly anticipated new single, “Nearer.” This release further solidifies her position as a promising force in the Nigerian music scene.

“Nearer” promises to deliver a captivating blend of soulful vocals, infectious rhythms, and evocative lyrics that resonate deeply with audiences. The song showcases Keleya’s signature sound, seamlessly merging contemporary Afro-R&B with her rich musical influences. It’s set to be a groove-inducing anthem perfect for the dancefloor.

Listeners can enjoy “Nearer” on various streaming platforms.

About Keleya

Keleya is a dynamic Afro R&B artist from Nigeria, known for her soulful vocals and infectious rhythms. Her music blends contemporary sounds with African influences, earning her quick recognition for her unique sound and ability to connect with audiences.

Follow Keleya on social media for updates:

• Instagram: @keleyaa_
• Twitter: @keleyaa_
• TikTok: @keleyaa_

After months of keen anticipation, Nigerian superstar Wizkid has dropped his first single of 2024, featuring American R&B sensation Brent Faiyaz. Titled “Piece of My Heart,” the track blends Wizkid’s signature Afrobeat style with R&B elements, showcasing heartwarming lyrics and captivating melodies that evoke the soothing sound from his classic album Made In Lagos.

Produced by P2J and Dpat, the song offers a narrative of love and good times, with a notable mid-track beat flip that stands out as a highlight. “Piece of My Heart” samples Wu-Tang Clan’s iconic 1994 track “Can It Be All So Simple” and Gladys Knight & The Pips’ 1973 cover of Barbra Streisand’s “The Way We Were,” adding a nostalgic layer to its contemporary vibe.

In the lead-up to this release, Wizkid hosted pre-release parties in Paris and London, where he teased fans with snippets of new songs from his highly anticipated sixth album, Morayo, set to launch on November 22, 2024. This single marks an exciting new chapter for the Grammy-winning artist as he prepares to unveil more music.